After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision. During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. “NO BORDER 2D×3D” をキャッ(💓)チ(🔎)フ(💢)レーズに掲(jiē )げ、2Dと3Dの境(😸)目(🛸)(mù )をなくすクリエイテ(🚹)ィ(🕚)ブ(📣)な活(huó )動を目(mù )指す３DCGプロ(😴)ダ(🛑)クション“Picona Creative Studio”。本作(zuò )はどん(🏩)な(🔏)も(🕟)のでも捨ててみせるゴミ(🕜)捨(🛬)て屋コンビと、魔法を捨(👓)て(😉)たい魔女が繰り広げる、フ(🏯)ァ(🏆)ッション× ポップ× ア(🤭)ニ(🤫)メ(📟)をキーワードに魔法と科(🖋)(kē(🖱) )学(♒)を絡(luò )み合わせたスラ(📴)ッ(🤭)プスティック・アニメーシ(☕)ョ(🔅)ン。同(tóng )社(shè )が長(zhǎng )年(niá(🍟)n )温(🧥)め(😢)てきたオリジナル企画(huà )が(🍒)、(⛱)ついに実(shí )現！ 都(dōu )说男(🧒)人(🐙)(ré(🍣)n )一有钱(qián )就变坏(huài )，女人一(🐧)变(😬)坏就有钱，这句话用在张宝(🏅)文(🌬)和他的秘书身上绝对合适。张(🦕)宝(🤕)文原本有一个非常好的(🍱)前(🥢)程(🏸)和家庭，但是他却不珍惜，与(⛷)自(📢)己(🎙)的秘书走到了(le )一起。这一(📠)段(🐗)(duàn )办公室(shì )的恋情(qíng )导致了(🦃)(le )张(🏌)宝文(wén )在事业(yè )上和家(🤮)(jiā(💓) )庭(🥒)(tíng )上彻(chè )底(dǐ )破碎(suì )。秘书(shū(📣) )的(🌪)(de )贪婪最(zuì )终落到(dào )过街(🚵)老(🐎)(lǎ(💲)o )鼠人人(rén )喊打的(de )地步。当张(🌖)宝(🦉)(bǎo )文重新(xīn )回归家庭的时(🔃)候(🏕)，一个熟悉的面孔站在了门口(🦈)挡(⚽)住了他的视线。 主人公李(🕟)解(🐇)拿(🍞)自己的传家龙坠向女友小(🛤)朵(🤳)求(🍖)婚，却被倒卖古玩的安森(👔)盯(💆)上。几次偷抢(qiǎng )未果后(hòu )，安森(🕝)(sē(🈚)n )绑架李(lǐ )解女友(yǒu )，并威(🍪)(wē(🛸)i )胁(🍘)李解(jiě )要交出(chū )龙坠，李(lǐ(🍅) )解(👬)智(🏂)(zhì )斗(dòu )坏人(rén )抱(bào )得美(🎱)(mě(⛵)i )人(🏊)(rén )归。 在(zài )贝鲁特(tè )一个街(🈲)(jiē(🍗) )角的咖(kā )啡店二(èr )楼，有(yǒ(🤐)u )一(🤤)面大(dà )大的转(zhuǎn )角窗和一台(🧝)电(🤓)视机，一位78岁的退伍将军(🍟)和(🎳)一(🌋)位81岁的退伍军医每天早上(🌺)都(🥗)会(🚷)在这里碰面，看着街角车(🎸)来(🍅)人往，做着填字游戏，以此对抗(✨)阿(👁)茨海默综合症(zhèng )。伴随(suí(🦀) )两(⛱)位(🏐)老(lǎo )人的玩(wán )笑和字(zì )谜(🥦)，咖(🔠)(kā(🛡) )啡馆的(de )顾客纷(fēn )纷登场(🚓)(chǎ(🔉)ng )。本(🔻)片(piàn )用(yòng )发生(shēng )在(zài )一个(🤬)(gè(🕐) )社(shè )会小角(jiǎo )落16天之(zhī )内(💮)的(📊)一(yī )系列事(shì )件，四(sì )两拨千(🚿)(qiā(😃)n )斤地讨(tǎo )论了人(rén )生、(⛸)政(🐹)(zhè(🧞)ng )治、历史等话题；通过单(🤦)场(🔊)景(🎪)多幕剧的结构让人感受(🕡)到(💲)老人们的孤独，以及疾病带来(🍗)的(⚾)苦涩，同时映射出黎巴嫩(🧐)暴(🌜)力(🌨)事件肆虐的现状。以小见(jià(🏆)n )大(🚖)，令(📵)(lìng )人回味(wèi )。